Ascenseur Pour L’échafaud

“[La vie c’est une…] modification perpétuelle.” Jeanne Moreau, (1928–2017) “Ascenseur Pour L’échafaud” (Elevator to the Gallows, 1958) is the title of French film director Louis Malle’s debut and it stars the quintessentially French actress Jeanne Moreau. She was or is the very definition of what it means to be refined, dignified and civilised. Even though… Continue reading Ascenseur Pour L’échafaud

What Is The Big Deal?

Well, the music you are currently listening to has a rather long history. And it really doesn’t matter what kind it is, what you may call it or what you are actually listening to. It is an unfortunate consequence of the (should-be-feared) post-structuralism, since they did away with the concept of history all together. The… Continue reading What Is The Big Deal?

Fiction Is So Powerful

Today, there are people that actually move like (programmed) game characters. If they would only dress the part, then it could be interesting. Dressed as their favourite in-game characters? Helas, no one of them do, they dress like everyone else, they just happen to move in a particularly strange way and I for one find… Continue reading Fiction Is So Powerful

The Overstretch

I do know that I’ve been accused of overdoing things. Exaggerate and even possible more often than the other way around. But, this is proper breaks. The new from the old, the ancient stuff, the good stuff. The eternal and all mighty bass, progressing through time, the one that captured me so many years ago… Continue reading The Overstretch

No, I Will Never…

Current politics? The very old and bat-crazy Agent Orange, May or may I not, the young cookie Macron, Batra, Åkesson, Lööf and the rest? They come and go but bass is eternal. “Le tam-tam” has been here from the start, eternal and truly indestructible. It simply can not be destroyed. Like Plastician: rinse.fm. Does that… Continue reading No, I Will Never…